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"Yi Xi" 2010 Autumn Winter New Product Conference Held

2010/9/9 9:48:00 122

On the evening of August 27, 2010, "Yichang" 2010 autumn and winter new product conference was staged in a quiet little theater in Guangzhou, in the form of Chinese classical drama. It was called "Yu Ming Pavilion", which was taken from Yu Ming Tang in the study of Tang Xianzu in the Ming Dynasty.


Here is a fantasy or psychological activity of nostalgia, corresponding to the upheaval and spacetime of time and space. The number of Chinese classics is used to become a separate, individual life, and become her own and become empty (empty fingers become an aesthetic object that can be repaid attention).


In it, does the audience feel a sense of existence?

Please don't break anything. Will it be a "Arabian Nights" that can be constantly narration?


Use the way of inner fantasy to experience a sense of order and an artistic standard purely and inwardly.

It does not allow a person to consume his energy fearlessly and to create extreme inflated expression.


The heaviness is removed, the shell of reality is removed, and the fragility, tranquility and dream of life itself are outlined.

With a light gesture, it seems that it will fly to another space at any time.

This may be attributed to the fact that there is a soft and beautiful person in his mind.

clothes

The secret address of a soul came out, and she found a relatively constant mental state.

The clothes tell you your experiences and secrets.

The image is manifold and vast, and it seems to have a sense of history, similar to an epic fragment, showing an extraordinary comprehensiveness.


Correspondingly, the mind is free, the sense of lightness in its appearance and character.

The interpretation of Calvino, an outstanding writer in Italy, in the "future Millennium literature memorandum" has aroused unusual repercussions.

Calvino regards lightness as the highest immortal quality of art.

He said that writing is to reduce the sense of heaviness.

In addition, in his eyes, Eastern European writer Kundla Milan is a knight who seeks light comfort.


Clothes can be fairy tales, fairy tales are just like a crystal stone, from the inside of the reality to see the magic light.

If China in 60s and 70s was highly stressed by ideology, it would be a "light" at the end of 80 and 90.

What corresponds to self expansion is self contraction.

The pure and creative form of crystal is infinite in many expressions.


 

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